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Getting a New Racket: A Short Discussion about Current Badminton Rackets

Recently, my collection of badminton rackets was shortened by one, as my nearly three-year-old, battle-scarred Techno Pro 7000 finally succumbed to my abuse. Even though I still have a backup Techno Pro 7000, a Techno Pro Titanium 660, and a Dasha S002, I wanted to find a new “weapon” to fill the space in my racket bag. My goal was to find a racket, through research and comparison, that feels good in my hand, is reasonably priced, and has the features that would make me want to purchase it.

Since I live in Canada, I have a wide selection of models from various countries that I can buy, but most of them are too expensive to justify the purchase, so I consider buying a Chinese racket, whether if it is a Chinese brand or a clone of some other brand. I’m especially interested in the Dasha rackets, and I had luck to take a look at Dasha’s all new N-1000 and N-2000 models, and also rackets from other brands, such as the made-in-China versions of the YY Nanospeed 8000 and 9000 etc. These are all high-quality rackets available at very reasonable prices, but after comparing them and trying them out, I couldn’t find a racket that I liked well enough to buy. I thought that the new Dasha rackets are very nice, but other than the paint job, these rackets are basically the same as my S002, and more importantly, they felt exactly the same as my S002 during use, so I might as well stick with my S002. Even though the newer models are made of more advanced composite materials, the style of these rackets is still a bit behind the times.

In comparison, the rackets by Fleets (a Taiwanese brand) have a new, exciting feel to them. I tried out the Fleets FT 002, FT 003 and 3000 model and they all felt pretty good. I heard that the Fleets 3000 model was chosen by the Fujian (a province of China) provincial badminton team as their official racket. Since I’m not a power player, I didn’t really need the professional-grade Fleets 3000, so the choice was between the FT 002 and FT 003. After carefully comparing the two models and considering my own playing style and skills, I felt that FT 003 was a better fit for me, so this was the model I purchased. After using this racket in several doubles games, the FT 003 has become my racket of choice when playing badminton.

From Top to Bottom: Techno TITANIUM 660, FLEETS FT 003, and Techno-PRO 7000

From Top to Bottom: Techno TITANIUM 660, FLEETS FT 003, and Techno-PRO 7000

Left: Techno-PRO 7000 Middle: FLEETS FT 003 Right: Techno TITANIUM 660

Left: Techno-PRO 7000 Middle: FLEETS FT 003 Right: Techno TITANIUM 660

FLEETS FT 003

FLEETS FT 003

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发布在羽球器械/Equipment | 已有标签 , | 1 个回复或互链

My First Badminton Trophy

It has been a few years since I fell in love with playing badminton. Even though I have been playing for quite a while now and have improved my skills through the years, I have never participated in a formal badminton tournament, because I didn’t think I would have stood a chance against the highly-skilled players who competed regularly. However, in a twist of fate, an unforeseen chance to compete was given to me and the result was totally unexpected.

I recently became a member of the local badminton club. As a new member, I didn’t know that the club had an annual doubles tournament. Since I didn’t sign up, I knew I probably couldn’t play but I wanted to watch the tournament anyways, so I went to the gym as usual. Once I was there, I found out that one of players who signed up was unable to compete, and after some deliberations, the club officials allowed me to take the player’s place in the tournament. I was a little nervous but then I thought that this was good chance to gain some valuable experience, so no matter win or lose, I would get something good out of playing in the tournament.

According to the tournament rules, the 24 participants are split into three groups and each player must pair up with four different partners and play four doubles games within the group. After the four games, the four players with the best records out of the three groups will play a final game to determine the champions, so in order to win the tournament, I must win 5 games. Due to some luck and maybe the fact that the other players weren’t familiar with my style, I easily dispatched my opponents in the first four games. In the finals however, my partner and I have met our match. The game was very hard fought but our opponents managed to get an 8 to 4 lead before changing sides, and then they extended the margin, leading 12 to 7. At that point, my partner and I knew we had to do something quick in order to make a comeback, so we changed our playing strategy. That seemed to work and we managed to even the game up at 13 a piece, and then we got the 14 to 13 lead. In the last play of the game, I jumped up looking like I was going to do a power smash but instead I made a drop shot to the front of the net. My opponents were caught unaware and couldn’t return the shot, giving us the winning point. When the tournament organizer handed me the first place trophy, I was still amazed by the experience and the fact that I won. Of course, I also had the feeling of joy, as I just won my first badminton trophy.

My first badminton trophy

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羽毛球打法相克的探讨之一:以柔克钢,太极胜洪拳

在羽毛球比赛的实战中,人人都有各自的技术特点和风格。有的大刀阔斧,有的秀里藏针,有的四平八稳,有的灵活机动,……正因为这样,才拱托羽毛球场上的多姿多彩和魅力无穷。

无可置疑人人在比赛中都希望取胜,孤独求败的人是少之又少,这才引发人们去思考如何去打赢。大家都知道在比赛中,左右胜负的因素很多,而最基本的因素是球员技术水平、临场状态和发挥、以及战术的运用。就球员本身的技术水平,在一个时期内,是相对稳定的,不会存在一、二日就突飞猛进,所以这是一个恒量。而球员的状态在一定的时期内也是相对稳定的,最多存在状态的调整及提升,不会太多的大起大落,所以也可以考虑为是一个恒量。对于战术的运用就完全是一个变量了。这个变量可以说是羽毛球比赛胜负的关键。

最近亲眼目睹了一场较高水平的男子双打比赛。一方球员(称为甲方)善长与平抽打和大力扣杀,网前封杀也不赖,打起球来虎虎生威,力量大,球速快,进攻性强,钢劲十足。另一方球员(称之乙方)技术全面,但更擅长于平高球,劈吊球和变速球,防守也不错,下手球十分了得。比赛开始就是一场龙虎相斗。甲方利用自身的优势,频频主动发动进攻并得手,开局打得流畅和得心应手。乙方也想以快治快,但不是特长,难以与甲方抗衡。可是甲方的好景不长,乙方球员很快就摸到了对手的底细,除了有三板斧外,脚下步伐移动不够快,于是马上根据对方的特点改变相应的战术,扬长避短,以控制网前落点和快速突击后场为主,再辅以大角度回球,球从不对着甲方球员去,从而转换了比赛节奏。结果就上演了一场太极战洪拳的好戏。乙方的打法完全把甲方的武功给废了,迫使对手打下手球,让甲方有力使不上,很难打得顺手。比赛结果大家可想而知了。

这场比赛完全是以柔克钢,太极胜洪拳实例。在羽毛球的比赛中,还有许多不同类型的打法。而每种打法又存在其相克的打法,只要下功夫去研究,就能提高比赛的能力。总之,在羽毛球的比赛中,无论单打还是双打,都要明白一条取胜的法则:战术为主,技术为辅。提高应变能力,战术是关键。

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发布在羽球技术/Skills and Techniques | 已有标签 | 发表评论

我的第一个羽毛球比赛优胜奖杯

自从与羽毛球再续情缘以来,一晃就几年的光阴。虽然一直在尽情地享受着羽毛球带来的快乐,也在不断地学习和提高,但从来没有参加什么有组织性的正式和非正式比赛。这都是丑媳妇怕见公婆,自己的三脚猫功夫怎能与高手们过招。但一个偶然的机会,激发了自己的潜能,还收到意想不到的结果。

最近刚参加了所在市的羽毛球俱乐部的活动,成为会员之一。由于初来咋到,还不知俱乐部早已安排了一年一度的羽毛球双打比赛。比赛时间是12月11日。因为没有报名,自然就没份参赛了。怀着观看高手们比赛的愿望,自己也到了比赛球馆。碰巧有一位报名者因故不能参赛,俱乐部的赛委会商讨后,同意让我替代之。真是一次是学习的好机会。自己也不怕在众多的老俱乐部球员面前献丑了。

按照赛委的安排,24名参赛者分为三组进行比赛,每位球员必须与四位不同的球员配对打4场双打比赛,然后,以小组内成绩最好的人再配对打决赛。所以,要获得冠军必须过5关斩10将。也许是幸运,也许是别人对我不熟悉,让我和配对有机会先以15:1 和15:2 的大比分拔了头筹,接着又一路的过关斩将打入了决赛圈。在决赛中,真是棋逢对手、将遇良才,双方打得激烈和艰苦。在决胜局中,对手8:4领先交换场地,并又以12:7遥遥领先。为了收复失地和反败为胜,我们改变了打法和战术,终于追到13:13,并接着以14:13领先一分。伴随着自己在后场双脚起跳,似高点大力劈杀,实际是劈吊网前,使对手判断错误而回球下网,从而拿下最后一分。当俱乐部比赛组委将优胜奖杯发给我和我的搭挡手中时,自己真是感到有点不可思意,但又乐在其中了。

我的羽毛球奖杯

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比较大傻N-2000、YONEX NANO 8000等之后

最近,自己的兵器库在自然减员。一支用了近三年的主战兵器德国造Techno-PRO 7000终因多年征战,磕碰无数,伤痕累累,积劳成疾,拍框自我骨折。尽管自己还有一支备用的Techno-PRO7000,一支Techno TITANIUM 660和一支大傻S002,但也在有意寻找新的利器以补充自己的兵器库。心目中当然是希望通过调查和比较,以发现物美价廉、手感好,适合自己并能激发内心购买欲的好拍子。

由于身处国外,世界范围内的名牌产品产品比比皆是,但价格都昂贵,谈不上什么物美价廉,所以还是考虑国产货,无论是正版还是“工业”版,都想认识一下,特别是大傻的新型号球拍。有幸的是前段时间,在地球的另一半能看到了大傻品牌的最新产品N-1000和N-2000,还有其它国产品牌的羽毛球拍子,以及大陆产的YY NANO SPEED 8000和YY NANO SPEED 9000等。它们的确都属于物美价廉之内的产品。可是经过使用和比较,这些拍子都没有能成为自己的中意之物,也没有勾引起购买欲。原因很简单,其中感到DASHA N-1000和DASHA N-2000球拍设计没有新的创新和突破,除了颜色之外,几乎与自己手中的DASHA S002一模一样,没有给人新颖的感觉。在喷漆和图案设计方面,也没有超越DASHA S002。而最重要的使用感觉与S002没有什么区别。虽然是新材料与融合了纳米技术来制做球拍,可整个款型确停留在一、两年前的模式上。

相比之下,有一品牌FLEETS(属台湾品牌)的羽毛球拍就很有别具一格的新颖感觉,而且口碑挺好。所试用的FLEETS FT 002、FLEETS FT 003 和FLEETS 3000等型号都较上手。据说FLEETS 3000 是中国福建省队专业羽毛球运动员的选用拍子。由于自己不是力量型,也驾驭不了专业运动员所用的FLEET 3000,所以在FT 002和FT 003挑适合自己的拍子。从球拍的性能、做工和外表设计等综合比较,本人更喜欢上FLEETS 的FT 003。所以特意买了一支以装备自己。经过几场羽毛球的实战双打比赛,FT –003已成为自己兵器库的新贵和宠儿。

本人衷心希望DASHA品牌的新型号球拍能有脱胎换骨的面貌、性能和时代感,以不负在国内和国外羽毛球球迷们的期待。(以下是相关图片)

从上往下:Techno TITANIUM 660, FLEETS FT 003, 和 Techno-PRO 7000

从上往下:Techno TITANIUM 660, FLEETS FT 003, 和 Techno-PRO 7000

左:Techno-PRO 7000 中:FLEETS FT 003 右:Techno TITANIUM 660

左:Techno-PRO 7000 中:FLEETS FT 003 右:Techno TITANIUM 660

FLEETS FT 003

FLEETS FT 003

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发布在羽球技术/Skills and Techniques | 已有标签 , | 发表评论

是否需要给“羽毛球”竞赛项目再起一个适当的名称?

近来,随着国际羽球联提出的一系列改革方案,将21分制推出台,接着又要将比赛的正规用球改换为塑料尼龙球。真可谓大刀阔斧和大动手术。从为了羽毛球项目能在奥运会立足和有利于商业赞助、并吸引更多的人参加该项运动出发,这些都是有益的尝试。现在有一个问题又伴随着比赛用球的改变而产生出来。塑料球不是采用羽毛制成,再继续称之羽毛球运动是否恰当与合理?如果不叫羽毛球项目?哪又叫什么球项目呢?

其实,羽毛球这个名称是中国的特产。当BADMINTON这个项目从国外传入中国时,我们的前辈们就以BADMINTON的用球是羽毛制成而称之为羽毛球。后人就一路地沿袭下来了。而在长达100多年的羽毛球项目的发展史中,比赛用球一直是采用羽毛制成的球,所以,羽毛球这个名称即形象化又容易理解,早已被人们接受和使用,并在人们的头脑中根深蒂固。虽然,在上个世纪中,已有塑料制成的球出现,由于其品质与受欢迎程度都比不上羽毛制成的球,所以一直没能登大雅之堂。随着科技的进步和制作水平的提高,塑料球的品质不可同日而语了。其优点突出,稳定性好,耐用,受气温和湿度的影响小,以及价格相对便宜,在比赛中无需频繁地换球。所以有利于BADMINTON运动项目的推广。因此,国际的BADMINTON组织就将把塑料球推上大雅之堂。如此而来,今后在比赛中打塑料球还继续称打羽毛球吗?原有的羽毛球项目还确切和被接受吗?

翻开历史,从“羽毛球”这项运动的起源到发展,在国外,它一直被称之为BADMINTON(伯明顿)。该运动项目是由英国人发明,就以英国的一个城市的市名BADMINTON来代表。它的使用球称之为SHUTTLE-COCK。外国人并没有按照球是由羽毛制成的而称为FEATHER COCK。平时国外的BADMINTON运动员和爱好者喜欢叫它BIRD。这样一来,在国外,无论BADMINTON的球由什么材料制成,都还是称之为SHUTTLECOCK或BIRD。这也少了今后使用塑料球就不知称它为羽毛球项目好还是称之为什么球项目好的麻烦事情。

现在在国内,羽毛球界和广大的羽毛球爱好者都为比赛用球的改变而对该运动项目的使用名称提出了变通和修改的呼声。那将来“羽毛球”项目称之为什么呢?就以往的做法,将国外的BASKETBALL称之为篮球,将国外的VOLLEYBALL称之为排球,将国外的TENNIS 称之为网球,将国外的TABLE TENNIS称之为乒乓球,而将国外的RUGGER称之为橄榄球,将国外的BASEBALL称之为棒球,将国外的SOCCER称之为足球。那么我们可以将国外的BADMINTON称之为什么呢才好呢?是“穿梭球”?“梭子球”还是“飞球”、、、、、、?请广大羽毛球的爱好者一起来动脑筋和出主意。

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Speculation on China’s Team Strategies and Plans for Men’s Badminton for the Beijing Olympics

The 2005 World Badminton Championships have come and gone and China’s men’s badminton team was sent home without taking any of the highest honours. Maybe it’s because that the team was playing on unfamiliar territory in the US with questionable court conditions, so despite the fact that all the team members put in their best efforts, the results were much worse than expected, and fans can only accept this disappointing outcome.

Nowadays Chinese badminton fans are starting to focus on the Beijing Olympics, and they hope Team China, especially the men’s team, will take the gold on home court. Currently when compared to world class players of other nations, the Chinese men’s team can’t say that for sure that they’ll be able to win the gold medals for singles and doubles in the next Olympics. The best badminton players in the world all have similar skill levels and the thing that determines who wins and who loses in competitions comes down to which player or duo can perform at the highest level when on the court. So how exactly can a team attain this important goal? Other than giving the player the best physical and mental training and preparations available, there is another factor that can’t be ignored, and that team strategy and planning.

Many people know that in order to get more countries to participate, the International Badminton Federation made a rule that states that each country can only send 3 players (or 3 pairs) into any particular competition event (ex. only 3 players to men’s singles, 3 pairs to men’s doubles…). This rule has the most impact on countries with strong badminton traditions, such as China. As long as this rule exists, Team China’s strategies and planning will be limited by this rule.

In order to have more chances to win the gold medal for men’s singles and doubles in the next Olympics, it would be better if China could send the maximum number of players allowed into the events. China should also choose the players with the highest world rankings to avoid two teammates meeting early in the competitions. The best scenario is if Team China has two players or pairs in the semi-finals, such as the case of the 2000 Olympics men’s singles. If the teammates are matched up with each other in the semi-finals, then at least one player or pair will make it into the finals and do so without having to go through a tiring match beforehand, giving this player or pair an advantage. If the two players or pairs are placed in different semi-finals, then the outcome will depend upon performance on the court and true skills. Obviously the goal is to win and make it to the finals, but even if the match is lost, the player or pair should still try to wear out the opponent as much as possible, so that if the other player or pair on the same team make it to the finals, he/they would have a better chance of winning the gold.

There are still three years until the Olympics start at the time or writing. The Chinese men’s badminton team needs to train and develop a new generation of players for the world stage. Team China need to put more effort into researching and analyzing the world class players of other nations in order to better understand and develop strategies against those players. Badminton is a sport that depends a lot upon physical conditioning. No matter if it’s singles or doubles, a player has to have speed and endurance and can’t depend on skills alone to win the match. I wonder what time it takes China’s male players to run 100m, 1500m, 3000, and 10000m? Without a strong track and field background, it’s much harder to perform well on the court and advance in skill level.

The last point is that Team China shouldn’t pick two singles players and slap them together into a pair for the doubles event. The successes of Indonesia, Denmark and South Korea should have already demonstrated to China what works for men’s doubles and what doesn’t work. Despite the current disappointments, the Chinese men’s badminton team still has a good chance of winning the gold medals in Beijing. We, as fans, hope that our wishes will come true.

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发布在比赛评论/Competion Review | 已有标签 | 发表评论

问鼎北京奥运男子单双打金牌的策略探讨

在美国举行的世界羽毛球锦标赛已落下帷幕。中国男子军团以无金战绩打道回府。虽然众将士们顽强奋战和拚搏,无奈比赛场地有风和不是主场作战,所以结果差强人意,广大球迷们也只有无奈地接受和理解了。

现在人们就开始关注三年后将在北京比赛的奥运会了,更期望中国队能在自家中摘金夺银,特别是男子项目中。从世界羽毛球竞技水平的发展,按照目前的各国选手的实力格局,中国还是不能拍胸口说一定能拿到男子单打和双打的金牌。现在世界顶尖高手之间的差异都在伯仲之间。谁能在大赛上问鼎多数取决于个人或配对的临场发挥水平。那么如何才能实现这个国人期待的宏伟目标呢?除了国手之众将士继续提高竞技状态和能力,完善心理素质的造就,使自身实力再加强之外,还有另外一个不可忽视的重要方面,那就是从比赛的策略上去探讨。

人人都知道国际羽联为了有更多的参赛国,制定了每个国家在每个单项上最多只能派出三人或三对选手参加比赛。这样对羽毛球大国就受到不少的限制。既然国际羽联以有这些规定,中国羽毛球对就须在规定的范围内做文章了。

俗话说:一个好汉三个帮。为了要问鼎北京的奥运会男子单打和双打的金牌,中国在男子单双打最好获三个全名额取得资格参加北京奥运会。为了避免相同走线和过早自相火拼,中国参赛选手的世界排名尽可能的向前靠。以至自家人到8进4或4进2才碰头。最理想的情况是在4强中能有两个或两对中国选手,就如在2000年的悉尼奥运会的男子单打半决赛和决赛那样。如果两个人在同一区,也就是在半决赛碰头,已肯定有一人或一对选手进入决赛,而且会在没有消耗多少体力和精力的情况下进入决赛。这对打决赛就有利多了。如果两人(对)不在同一区,就是对外作战。那就要看真本领和临场的发挥了。目标就是一定要取胜,打不过也要消耗对方的体力,(决不能象林丹对陶菲克那样很快的交械,而要象夏宣泽在2000年奥运会半决赛对叶成万那样),为能进入决赛的队友创造条件最后夺取金牌。要明白有时车轮大战也是最后取胜的保证。

从现在起,到北京奥运会还有大约3年的时间,中国男子项目要培养和选用新人,为新人走向国际舞台创造条件。要下大力气去研究别国选手的技术特点和对付办法。不然老是讲我们的选手被别人研究透了,而我们永远吃不准别人。羽毛球的专业比赛是十分讲究体能的竞技。无论单打还是双打,没有速度和耐力只靠技术吃饭是行不通了。不知我们的男子选手们的100米短跑成绩是多少?而1500米、3000米和10000米的成绩又是多少?没有好的田径基础,很难更好地发挥球技,实力再上一层楼也受到限制。

此外,中国的男双的选材和配对上,不要再走从男单选手中挑选的老路。印尼、丹麦和韩国的成功经验已经告诉了我们。中国男子问鼎北京奥运会的金牌是有希望,我们就期待这些希望成现实。

English version of this article

发布在比赛评论/Competion Review | 已有标签 | 发表评论

Technical Analysis of Feints and Fakes in Badminton

Feints and fakes exist in most competitive sports that require handling an object (a ball or a shuttlecock) while the players are on the move. Two example sports would be basketball and football (soccer), in which players use many tactics to try and fool the defensive players in order to obtain a victory. They may do a hesitation move, a shoulder fake or other such actions to get by the defender(s) and get an opening for a shot or a pass. Fakes and feints contribute to the overall quality of a game, and there’s no sport I can think of that have as many types of feints and fakes as badminton.

Badminton has certain special characteristics, such as the lightness of the fact that one can hit with both sides of the racket plus factors such as timing, spacing, power, speed, and decision-making and the net that serves as the dividing boundary in the middle that make feints and fakes so prominent in this sport. A player can use feints and fakes for almost every hitting action, even in serves, which are strictly regulated but one can still use trickery as long as the movement is within the boundary of the rules or the tolerances of the referee. The feints and fakes is an important part of badminton that makes the sport more enjoyable to watch and play. Below are some of the “classic” techniques used by players in order to trick the competition.

I) Fakes and feints during service
There are both forehand and backhand serves in badminton. Due to the fact that the racket has more space to maneuver and a long stroke in the forehand serve, it’s easier to employ trickery in this category of service.

Forehand serve fakes no. 1: Stand near the middle front of your service area with your two feet forming a rough “T” and your body facing the sideline. Now bring your racket back to the furthest point allowable, which will make the receiver think that you’ll be attempting a long serve and he/she will prepare accordingly. When it’s time to serve, start like how you would normally hit a long serve but slow your swing at the last possible moment and gently strike the birdie at an angle, which will result in a short serve. Aim for the front corners of the receiver’s service area so that the receiver will have a harder time making an effective return, which gives your side the advantage.

Forehand serve fakes no. 2: This is basically the opposite of the above technique. This time you should only bring your racket back a little bit to prepare for the stroke so that the receiver thinks that you’ll be making a short serve so he/she will pay more attention to the frontcourt. When actually hitting the birdie, use a quick flick of your wrist to fire off either a quick flat serve or a high arcing long serve. Because the receiver’s attention has been drawn to the front, he/she will have to take time to adjust in order to return the shuttle, which means that it’s more difficult for the person to make a good return.

Backhand serve fake no. 1: Stand near the inner front corner of the service area but don’t step on the lines. Go into a backhand serve stance and face the receiver so that it looks like that you are going to serve to his/her inner front corner. When serving, use the regular stroke for the backhand short serve except at the last moment, turn your writs to that the bird flies toward the outer front corner of the opponent’s service area. This will decrease the chance of the receiver has to make an interception.

Backhand serve fake no. 2: Stand near the inner front corner of the service area and go into the stance for the backhand short serve. During the serve, do the short serve stroke but when you are about the hit the bird, use your thumb and wrist to make a fast flick serve to the back service line, which will surprise the receiver and give the advantage to your side.

II) Fakes and feints when receiving serves
Returning the serve is extremely important because the return can affect the outcome of the rally. No matter if you are playing singles or doubles, making a good return to a serve will mean that your side can get on the offensive and make it easier for you to get service back. Because there are lots of feints and fakes for receiving serves, I can only list some of the more common techniques. Having good decision-making skills, quick reflexes, and strokes that doesn’t reveal true intentions to the opponent are essential for making these techniques work.

Service return fakes no. 1: Stand in the front and middle of your service area and get into the receiving stance. When the server makes a short serve and if you decide to use your backhand to make the return, take one large step forward. The stroke should look like if you are trying to draw and “S” with racket when moving the racket face up. At the last moment, use the changing motions of the wrist to return the bird to the area near the net and on your backhand side.

You can also use the technique above with the forehand stroke to return the bird to the farthest front corner from the receiver or push the bird down to middle of the sideline.

Service return fakes no. 2: This is called the “drop instead of swat” fake. You have to be able to react fast and predict correctly where the bird is going to be in order to accomplish this technique. When the server make the serve, immediately lunge towards the net as if you are going to swat the bird right back at him/her. The server will go into defensive stance by instinct to receive your fast return. When you are just about the hit the bird, restrain your arm and lightly tap the bird and direct the bird to the two front corners by using a motion of the wrist. The defender, having planted his/her feet to the ground, would be slow to react to the change trajectory and will have a hard time making the return, which can result in an error or an ineffective return this gives you the advantage.

Service return fakes no. 3: This is the “flick to the backcourt instead of drop shot” fake. The key to this is using the delay before the hit to fool the opponent. When the serve is made, immediately go towards the bird and make it look like that you are trying to drop the bird back over the net, but don’t hit the bird just yet. Let your racket follow the trajectory of the shuttle a little bit as if your racket is being pushed back by the bird. When the bird reaches a certain position (height), use the power of your forearm and wrist to quickly lift the bird to your opponent’s backcourt. If you do this well, the opponent will be fooled into moving forward while the bird flies towards the back of the court.

Service return fakes no. 4: This technique involves using your body as a distraction to fool the opponent into thinking that you are going to hit to one direction when you will actually hit to the opposite direction. This feint requires good coordination of the body and racket hand together, or else you are just as likely to fool yourself. You’ll have to predict where the bird will be when the opponent serves. When the serve comes, move your entire body towards the flying shuttle with your body in front and the racket face in front of your chest ands stomach. Hold the racket with a backhand grip. Because of your body is going first, it may become a visual obstacle for the opponent and he/she will have a harder time seeing the movement of your racket. By instinct, they will think that you will hit the shuttle in the direction of the movement of your body, but you can use this situation to conceal a small turn of wrist and put the bird to the middle of the opposite sideline. In doubles, hitting to the middle of the sidelines makes it hard for both front and back players to get to the bird. This particular technique is performed to the highest degree by the Danish and the Indonesian men’s doubles teams in present day.

III) Fakes and feints at the net
There are many ways to hit the bird when you are close to the net. You can slice, roll, hook, push or use another motion to put the bird back over to the other side. This variety of hitting motions means that there are a lot of ways to fake the opponent out and these techniques aren’t very difficult to learn either.

Fakes at the net no.1: When the opponent makes a drop shot near the net, move quickly to the right position so that the bird hasn’t dropped below the level of the top of the net. Raise your racket as if you are going to push the bird back to mid-court to draw your opponent’s attention but instead rotate your wrist at the last second and make a drop shot towards the front corner that is further from the opponent.

Fakes at the net no. 2: When the opponent makes a drop shot near the net, move quickly to the right position and extend your racket forward so that the hitting surface is right below the falling birdie. This makes it looks like that you are trying to drop the bird right back at the opponent but you can fool the opponent by changing the target to the corners with a motion of the wrist.

Fakes at the net no.3: This technique is used to counter an overhead drop shot from backcourt. You’ll have to predict the trajectory of the bird and get to the position in time. Pull your racket back a lot as if you are going to lift the bird to the backcourt. This will prompt your opponent to stay in the middle to the back of the court in order to receive the return. When the bird contacts your racket, pull back the power and make a hairpin drop or a crosscourt drop that will at least pull your opponent(s) out of position and give your side the advantage.

Fakes at the net no. 4: When you are battling an opponent up at the net and the opponent makes a drop shot to one of the front corners, you should quickly run to spot before the bird falls below the top of the net and extend your racket as if you are going to do a block return. Your opponent will be expecting the immediate block so don’t hit the bird immediately, but instead wait for the bird to drop below to the top of the net before rolling the bird back over. This technique is basically a hesitation move that can freeze your opponent which will increase the chances of an error or a bad return.

Fakes at the net no. 5: This is one of the most impressive fakes in badminton. The technique involves using a backhand stroke to return the bird but instead of hitting the bird, the player lets the bird fall a bit and then drops the bird to the other front corner with a forehand swing.

IV) Fakes and feints for mid-court shots
When the opponent makes a high return to the mid-court, most people would take the opportunity to attempt a smash or a jump smash to finish the opponent off, but there are also many fakes and feints that can achieve the same results while requiring less physical exertion. These techniques will also prevent your opponents from getting into good defensive positions to counter your attacks.

In order to make mid-court fakes work, you most keep your overhead strokes constant until the last moment. What I mean is that the swing of a drop, a clear, or a smash should look the same at the start so that the opponent won’t be able to know what shot you’ll make until the very last moment. These fakes and feints are mostly controlled by your wrist and your forearm.

Fakes at mid-court no. 1: If your opponent makes a bad shot, he/she will by instinct go into full defensive mode. The opponent will plant his/her feet and lower their body in anticipation for a smash. At this time, you can change your smash into an overhead drop shot to one of the front corners, which will give your opponent a very hard time. Jumping during this technique may also help you sell the fake to the opponent.

Fakes at mid-court no. 2: When the opponent makes a bad return to mid-court, you can take the opportunity to jump up and smash. You can also use the block drop technique to drop the bird to one of the front corner. For those of you who don’t know, a block drop is basically intercepting the bird with the racket face. There is no follow-through in this technique.

Fakes at mid-court no. 3: When playing against people with good defenses, it’s very difficult to get a kill with a smash. This is especially true doubles game. Sometimes it may be more effective to let the bird fall a little to shoulder height and then drive the shuttle hard down the sideline or straight at the face or chest of a defender. My good friend Mr. Su is a master at this technique, and he ends quite a few rallies with this “killer” move.

Fakes at mid-court no. 4: When a fairly skilled player gets into good defensive position, smashing at him/her may yield a 40-60% possibility for a kill. You can pull the defender out of position by making an attacking clear to backcourt instead of smashing and then clear the bird again to the opposite corner to tire the defender even more. Now that the opponent is out of position and out of breath, it will be much easier to score a kill with a smash.

V) Fakes and feints in the backcourt
Most of the time when you get pushed into the backcourt by the opponent, you will be in the one under attack and your opponent(s) will probably be waiting at mid-court for opportunities. Usually your only choices are to clear or drop, but if you can incorporate some fakes and feints into your backcourt shots, it may be easier for you turn the tide to your favor.

Fakes at backcourt no. 1: When the opponent hits a shot right to your backhand rear corner, you may be able to reach it in time with an around the head shot or a backhand, but your opponent would be ready to pounce on a bad return. In this situation, there is a technique you can use to fool your opponent. Go into position for a backhand return, but don’t hit the bird and let it drop so that it looks like that you are waiting to see if the bird goes out or not. At the last possible moment, use an underhand backhand stroke to hit a crosscourt shot to the diagonal front corner. The time delay between when you would normally hit the shot and the time you actually hit the shot may be enough to fool your opponent into letting his/her guard down and they might not be able to react to your crosscourt drop shot.

Fakes at backcourt no. 2: In the same situation as the technique above, use a large swing for what looks like a backhand overhead clear, but instead use your wrist at the moment of contact to change the clear into a drop shot to the diagonal front corner, which can surprise your opponent.

Fakes at backcourt no. 3:
When the opponent will use attacking clears to drive you back to your forehand back corner, you can attempt to move back quickly and jump smash down the sideline. This move requires a lot of physical power to do and you can use a fake and get the same result. Because you are literally jumping back and facing forward, the opponent will pay more attention to the sideline. Now without turning your head, turn your racket and do a crosscourt diagonal smash to the middle of the other sideline. An easier variation would be to do a crosscourt drop shot to the far front corner, which can also bring good results.

Fakes at backcourt no. 4: A very common tactic in both single and doubles badminton is to force the opponents back to their backhand corner at the rear of the court, so that they wouldn’t have many good options for returns. If you got quick feet and good footwork, you may be able to get to that corner and attempt a jump smash. An even better technique would be to fake the jump smash and make the drop shot to the diagonal front corner. This is a fake that if executed well, is very difficult to defend against. In preliminary competition of the 2005 Sudirman Cup between the men’s doubles teams of China and Indonesia, one of the Indonesian players use this fake and managed to trick one of the Chinese players at the first game when the score was 14: 10.

There are still many more amazing fakes and feints in badminton, and I can’t go over every single one of them. No matter what techniques you are trying to use, here are some important pointers that will help you succeed in tricking your opponents with fakes and feints:

1. Make sure your strokes in a certain area look the same. For example, all your overhead shots (clears, smashes, drops) should look the same until the last moment, so that the opponent won’t figure out your plan ahead of time.
2. In order to make fakes work, you must be able to get to the correct position on the court before the shuttle gets there so you’ll have to time to think and use tricks.
3. Keep on practicing the techniques, learning from experience, and improving your fitness.
4. Take the time to evaluate your progress and improve your badminton “intelligence”.

Anything can happen in a badminton game. The feints and fake shots are the wonderful and marvellous skills in the badminton sport. Trickery techniques can play a role in all kinds of shots. The fast-pace and ever-changing play makes badminton such an enjoyable sport. If you become the master of all skills and tactics of badminton, you will be the winner for sure.

文章中文版

发布在羽球技术/Skills and Techniques | 已有标签 | 发表评论

羽毛球比赛中假动作的妙用与实战技术分解

综观所有的球类运动,只要包含着需要在运动中去处理球的竞技项目,就有假动作的存在和市场。篮球和足球是众多人喜爱的运动,球员们在比赛中运用漂亮的声东击西的假动作去迷惑对方防守球员,从而运球过人或传球;有时利用身体动作来虚晃一枪,骗过防守对员,从而射篮射门得分,十分精彩。但如果人们问之何种竞技项目是最具有假动作的空间和种类,那真是非羽毛球莫属了。

由于羽毛球的特点所决定,球拍轻巧灵活,正反拍面都可以击球,还有时间差、空间差、距离差、力度差,速度差、判断及反应差的存在,再加上有一幅网在整个球场的中间作为楚河汉界,所以任何的击球动作中都存在假动作和它们的运用,甚至包括在发球中(一般发球要求最严,最容易被判BALK和违规),都也有在规则允许范围内的假动作。正是这样,令得羽毛球的比赛引人入胜和趣妙无比。下面就举例综述在羽毛球比赛中较典型的假动作。

一)在发球中的假动作
羽毛球有正反手的发球。而在正手发球方面,由于引拍动作可大可小,较容易使用假动作去迷惑对手。

正手发球假动作之一、站位在发球区靠中一些,丁字步,上身朝向边线。球拍放到离身体最远的地方,以便最大距离的引拍。这样一来,对手以为你要发高远球,其心里判断和准备你要发高球,所以注意力在后场,重心就靠后了。而你在实施发球时,开始是快速挥拍,当球拍将要击球的刹那间,收力,拍面轻薄的切击球脱,发出一个正手短球,并且落点在对方接球区前场的内角或者外角,从而使得对手无法接发球抢攻和回球质量差,你就从开始就抢占主动权了。

正手发球假动作之二、正手似象要发网前球,球拍的位置距离击球点的位置较近,没有什么引拍距离。你的站位和姿势让对手以为你要发网前球,先入为主的判断使对手将注意力放到前场,而你在发球时,利用手腕的快速闪动来带动球拍,发出正手平快球、平高球或者高远球。由于对手在开始就受你的站位和姿势的假象影响,反应一下没跟上而处于被动,也就难保有高质量的回球了。

反手发球假动作之一、站位在T字区近处(注意不要踏线违规),持球手将羽毛球举到规则允许的最高位置,将球拍的反拍面正向对着羽毛球,似要发一个近角的网前球。而在真正实施发球时,开始的手势也象以反拍面正向击球,而在球拍将要触球的一刹那,手腕变向,以斜拍面去削击球托,发了对方一个远角的网前球。这样对方上网扑发球的成功要打折扣了。

反手发球假动作之二、还是站位在T字区近处(注意不要踏线违规),持球手将羽毛球举到规则允许的最高位置,将球拍的反拍面正向对着羽毛球,似要发一个近角的网前球。而在真正实施发球时,开始的引拍也象反拍面正向,但引拍动作较慢。而当球拍要击到球的一瞬间,大拇指发力弹击球拍,发出一个反手的平快球或者平高球,让对手只能仓促地应付,其结果是无法接发球抢攻而失去先机。

二)在接发球中的假动作
接发球是每个回合的开始,其重要性是不言而喻。如果接发球处理得好,无论单打还是双打,都能取得先机,占到主动地位,有利赢得对打而夺回发球权。由于接发球的假动作有许多,不可能一一列举,就只能讲述一些典型的。但接发球中的假动作的要领都是:判断要好,起动要快,引拍动作要隐蔽和快捷,有虚晃一枪之招,真正出球要让对手捉摸不清。

接发球中的假动作之一、首先站位应中偏前,准备姿势都是大同小异,一种蓄势待发的状态。当对方发出一个网前小球时,如果打算以反拍面击球,就将持拍的脚向前跨一大步,以反拍面去回击球。引拍动作有点象在侧身的下手区划了一个由下至上的S形,在最后时利用手腕将拍面变向,把球击到反手网前区。

如果是用正手接发球,就将球拍在自己的正手区划一个由下至上的反写的S形,要点也是在拍面将要接触球的一刹那,利用手腕将拍面转变,从而将球击到对方网前另一边角或者对方场地的中腰位置,让对手很难防。

接发球中的假动作之二、虚扑实放网前球。动作要领是判断要准,在对方发来的网前小球一出手(离开球拍后),马上举拍上网似要扑杀,移步要快和作势凶猛,用身体语言给对手一个假象你要扑杀,对手就本能举拍准备防守反击,其双脚就会扎稳。这时你在球拍接触球前一刹那收势收力,将球轻挡回对方的网前或者利用手腕的细小的动作改变拍面,将球切击到对方的网前两个边角处,回放了对方一个网前球,让对手只能处于防守,由下向上的起球,你就抢到主动权了。

接发球中的假动作之三、虚放实挑后场。动作要领是利用击球的时间差来迷惑对手。当对手发来网前小球时,马上持拍迎上去象似用正手或者反手去轻挑球,但不是第一时间就回击球,而是球拍随既按照球飞行的轨迹向后退,好象似被球推着向后退一样。当球拍回退到一定的位置(高度)时,突然小手臂和手腕发力,将球快速回击挑到对方的后场。如果整个动作逼真,对手就被迷惑,认为你会挑网前,哪知你实际是挑后场的高远球。一上当受骗就被动了。

接发球中的假动作之四、身体作掩护,虚晃球拍声东击西。这种假动作是要求身体和手的动作协调性很好才行。不然就没迷惑对手,反自己骗了自己。其动作要领也是判断要准,当对方发网前小球一出手,整个球拍和身体就迎上去,并且是身体在前而球拍在胸腹部的位置,反手持拍。由于有身体掩护,跑势快而球拍在网下又近身,对手较难看清你的手型和拍子的转动。还以为你是要随着跑动将球拨(带)到他的反手位网前角,极易上当受骗。当你出球时已经是身在前而球在后了。对方将注意力放到你跑位的方向,谁知你将手腕隐蔽性地一抖,将球拨到了对方的另一半场的中腰。在双打中,对方的前面队员被骗而封不着,且球的落点在中腰,对方的后场队员也够不到,只能望球落地了。该假动作是丹麦和印尼的男双选手做得漂亮。

三)处理网前球的假动作
在网前这个区域,存在有许许多多技术动作,比如网前的搓、拨、放、勾、推等等,也就孕育了许许多多、形形色色的斗网前小球假动作。这些假动作都相对的易学易掌握。
1、虚推实拨的假动作
当对手放你的网前球后,自己就要快速移步到位,乘着球还没有下落过网顶,举起球拍正向对准来球,似要平推对方的后场或似直线挡放对方一个网前球,以便对方的注意力引到一方。而在拍子接触球的一刹那,突然转动手腕变拍型,将球拨到对方的另一区网前角处,让对方措手不及。
2、虚搓实勾的假动作
当对手放你的网前球后,自己就要快速移步到位,伸展手臂,拍面与地面平行,似要搓一个网前球。当拍面到了球的下方,突然改搓为勾,回击对手一个对角网前球,使得对手判断失误。
3、虚发力挑后场而实际放网前的假动作
对付对方在其后场的头顶劈吊网前球,自己还是要准确判断球的飞行路线和落点,快速反应移动到可能的落点处,正手(或者反手)大动作挥拍,象似要下手发力挑回对方的后场球。这样一来,对方在其后场或正在击球后回位到中场,以为你要压后场,就不会上网,谁知你在拍子接触球的一刹那突然手腕制动收力,轻击球托放了对手一个直线HAIRPIN(直上直下的)网前球,让对手再次起动来不及,从而主动变为被动了。该假动作如果在自己的球拍接触球时能使用手腕控制拍面,还可以回放对手的对角网前球。总之该假动作可以举一反三,回放对手不同的网前球。
4、虚挡实搓的假动作
当对方与你斗网前小球,勾了一个对角网前球时,自己要快速反应和到位,乘球在网顶平行飞行的时候,拍面向着来球和网面,似要正向挡击回放,当球再继续飞行刚低于网顶时,突然变换拍面与地面平行,回搓对方一个滚网小球,而且让球更靠近边线,使得对手在回球时更困难。
5、虚反手实正手勾网前球的假动作
这个假动作是最为匪夷所思的羽毛球假动作之一。如果大家看过丹麦好手盖得的实战表演,就会有同感发出感叹。

四)中场上手击球的假动作
当对方把球回到中场,又是高球,应该是最差的回球了。一般人都会抓住机会,双脚起跳,一举击杀,来得干净利落。但也有许多假动作,不花大力气,一样可以达到同样的效果。这样还可以避免对方早有准备,已回到中场,站好位置,准备接杀,并会将你的杀球挡回你的后场的情况发生。
中场上手击球的假动作的基本要领是一定要保持动作的一致性,不到出球的一刹那都让对手摸不清你真正的球路和力度。假动作完全依靠手腕和小手臂的动作来控制。
1、虚杀实吊的假动作
一般情况下,你的对手本能都会在自己给别人回了不到位的半场球之后就进入全力以赴的防守状态。你的起跳更让对手双脚跟扎住,重心降低。这时候你象要大力扣杀,而实际却高点劈吊对方的网前角,让对手难以应付。
2、虚杀实摸的假动作
当对手在其后场回了一个半场球之后,你抓住机会起跳挥拍,似要杀球。突然间,你的手腕在击球点的最高处一摸,放了对手一个网前球。让对手跑上来也救不了。在这方面,中国的国手鲍春来是很出色。还有前印尼的奥运会女单冠军王莲香是NUMBER ONE。
3、虚杀实平抽的假动作
很多时候,防守的队员对杀球有准备,而且接杀能力很好。在世界级的比赛中,很少有一板就打死的,特别是在双打比赛中。有时采用虚杀实平抽的假动作可以收到意想不到的好效果。当对手回了一个半场球之后,马上举拍作杀球的动作。这时候对方的球拍是放在身体下方,以便接杀。但你并没有在高点处击杀,而是目视球从上往下掉,当球下落到与你的肩部同高,或者高过网顶少许,突然一个大力平抽,冲着对手的胸口唰的一下,让对手防不胜防。在这一点上,我的羽毛球良师益友MR. SU ZHI的绝活 —-虚杀实平抽的假动作,杀伤力极大,让我佩服得五体投地。
4、虚杀实平高球再压对方反手位后场的假动作
一般情况下,对手回了一个使自己被动的中场球后,第一时间想要做的事情就是赶回中场准备接杀,而且注意力高度集中。这时候你如果杀球,成功的机会大约是60%对40%。如果你采用虚杀实平高球再压对方反手位后场的假动作,让对手再次退回反手位后场,回球更不到位,而且人也回不到最佳防守点,这时候你完全可以一举将球杀到对方的中腰或其后场的另一端角,让对方的接杀鞭长末及。那时你会感到特爽。

五)后场击球的假动作
通常情况下,当你被对手的高远球和平高球压到底线时,已经处在被动的局面了。对手多半都是回位到中场,准备击杀你回不到位的球。而大多数情况下,你都是以高远球或者吊球回击,想转变被动局面。但如果你能采用后场击球的假动作,可以化险为夷,有时能直接得分。
1、后场下手击球的假动作
当对手压你的反手后场很到位时,你能迅速移动到位,可以采用正手绕头顶回击球,也可以用反手回击球。但你的对手通常已移动到你反手位的同一半场,以便抓机会封杀你的高球和防你杀一个压边线求。这时候,你原来准备用反手的上手球去回击,但摆好姿势并不击球,好象对方的高远球已出界,让求继续下落,以迷惑对方,使之思想松懈而放松警惕。谁知在球将要接触地的一刹那,你用反手的下手挥拍,挑了对手一个CROSS OVER(大角度的)远网网前球,让对方想不到有这一招。其效果是不言而喻了。最经典的是王莲香与叶钊颖在1998亚运会女单的决赛中,王莲香采用后场反手击下手球的假动作,将叶钊颖骗了,使叶最终补救不及而回球下网失误。
2、后场反手击球的假动作
当对手压你的反手后场很到位时,你采用反手大幅度的引拍,似要回对方一个反手高远球或平高球,但真正击球的一刹那,手腕控制反拍面,斜劈对方一个远角网前球,让对手意想不到。
3、后场侧身杀斜线的假动作
在比赛中,较多时候对手会以平高球压你的正手位的远端后场角,你可以采用正手后退步伐,在最后一下起跳,身体与边线平行,头也不转,似要杀对方一个压边直线球。因为你没有转体,对手将注意力放到你的正手半区(他自己的反手半区)。而你的手臂和手腕突然一旋,杀了对手一个正手大斜线,落点在中要。或者劈吊大斜线到对方的另一网前角。其妙之处让对手只能回味了。使用该假动作最经典的选手非陶菲克和盖德莫属了。
4、后场反手位的正手劈吊对角网前的假动作
无论在单打还是双打中,对手的意图大都是以压你的反手后场为主要战术。希望造成你的被动局面。如果你能利用正手后退步伐抢到高点击球,可以使用虚跳杀实际跳劈吊对方的对角网前的假动作,让对手难防。在北京举行的苏迪曼杯小组比赛中中国对印尼的男双对阵中,第一局战到14:10时,印尼的怪球手西得克就采用后场反手位的虚跳杀而真劈吊对角网前的假动作,将中国的蔡YUN骗了,很精彩。

羽毛球比赛中还有许多精妙绝伦的假动作,的确难以一一例举。无论使用何种假动作去迷惑对手以达到你真正的目的都取决你在羽毛球比赛中对场上的阅读能力和驾驿比赛本事。而想要学好假动作必须坚持以下基本原则:

一、任何时候都要保持动作的一致性;
二、三分手法与七分步伐。任何时候都要脚下到位,最好是提前到位。这样你就可以从容不迫地发挥你的技能;
三、不断积累丰富的比赛经验和培养良好的判断能力;
四、加强比赛意识和善于总结提高。

羽毛球的比赛千变万化,风云翻涌。克敌制胜需要真功夫,也需要出奇不意、攻其不备的手段。假动作在羽毛球比赛中是一枝绚丽的奇葩,分外娇艳。而各项技术动作击出的球都可实实虚虚、虚虚实实、虚实并重。这也是羽毛球魅力和趣妙的所在了。 如果你成为各项羽毛球技术哈达战术的大师,你就会是比赛场中的常胜将军。

English version of this article

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